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Beethoven: Violin Concerto (Classic Archive): Nathan Milstein / Sir Adrian Boult [1972] | ![Beethoven: Violin Concerto (Classic Archive): Nathan Milstein / Sir Adrian Boult [1972]](http://ecx.images-amazon.com/images/I/31NvsRKMvoL._SL160_.jpg)
 enlarge | Artists: Beethoven, Williams, Milstein, Boult
Studio: EMI Classics
Category: DVD
List Price: £13.99
Buy New: £8.01
You Save: £5.98 (43%)
New (32) Used (1) from £8.01
Rating:  1 reviews
Sales Rank: 48022
Format: Classical, Colour, Dvd-video, Pal
Language: English (Original Language)
Rating: Exempt
Number Of Items: 1
Running Time: 69
Discs: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
UPC: 094638845690
EAN: 0094638845690
ASIN: B000N0W9JM
Theatrical Release Date: 2007
Release Date: March 26, 2007
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: New in shrinkwrap. Will dispatch within one business day from the United States.
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Product Description
Excellent condition,next day first class post despatch
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| Customer Reviews:
Fascinating DVD, with a lovely Beethoven Violin Concerto March 25, 2007
6 out of 6 found this review helpful
Here we have two of the least fussy and most respected of all classical musicians, Nathan Milstein and Sir Adrian Boult, in a DVD which gives great musical satisfaction and is also intriguing to watch. The performances date from 1972 (Boult was 83) and the sound is good. The Beethoven is a delight from beginning to end, with a well-paced, ardent and beautifully fluent first movement, a lovely slow movement with wonderful hushed tone from both soloist and orchestra and a buoyant finale. I don't know whose cadenzas Milstein uses - they may be his own - but they work well. Nearly everything about this performance is 'right', and the concentrated devotion of both soloist and conductor is very evident. There is no flamboyance at all, no distraction. The Vaughan Williams Symphony (No. 8) is very fine too as a performance, though I have pretty mixed feelings about it as a piece, but it's nice to see this most celebrated of all Vaughan Williams interpreters shaping the music as he does. The slow movement is lovely, and you can absolutely see how Boult's restrained gestures mould phrasing and climaxes. So this is an excellent DVD. Documentation is minimal, though there is a useful essay by Tully Potter as a Bonus on the disc. Warmly recommended.
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