On Writing: A Memoir of the Craft

In the First Forward, Stephen King observes that popular novelists are never "asked about the language" when queried by admiring fans. Thus, he states:

"What follows is an attempt to put down , briefly and simply, how I came to the craft (of telling stories on paper), what I know about it now, and how it's done. It's about the day job; it's about the language."

In the first hundred or so pages, King shares his experiences growing up in Maine and Connecticut, his marriage, his struggles as a novice writer, and his drug and alcohol problems. King intends this section not as an autobiography, but as a curriculum vitae. It ends with the assignment of the paperback rights to CARRIE, his first novel.

In the next 150 pages, the author describes how he performs his craft. He explains the "tools" of writing (vocabulary and grammar), the creative environment (the room, the door, the determination to close the door, and the music - Hard Rock in King's case), style and formatting (paragraphing, narration, description, and dialogue), and the final stretch to a finished piece (drafts, editing, and proofreading by a trusted friend - wife/author Tabitha in King's case).

The final few pages, in a way, are the most interesting. It's Stephen's account of the road accident in 1999 that inflicted multiple fractures to his ribs and lower body, and the effect the mishap had on his writing. Ironically enough, he'd half completed this book at the time of the incident, and he had to struggle to come back and finish.

Though King was once a high school English teacher, ON WRITING is in no way pedantic, but chatty and informal. It's a book straight from the author's heart, and it shows.

"Don't wait for the muse ... This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up, chomping his cigar and making his magic."

The author's first rule for good writing is that the writer must read a lot. Well, I do that - constantly. Perhaps I can improve my own poor scribbling. In this review, I've followed his advice; I've kept the paragraphs short and avoided use of passive sentence construction. That's something, at least.


The Building Blocks of a Career in Writing Fiction   July 24, 2004
 13 out of 14 found this review helpful

Every course I ever took about writing discouraged me from writing fiction. The process described seemed unnatural, uninteresting, and unbelievably complex. So I became a nonfiction writer. Mr. Stephen King's memoir and observations about his methods has totally turned that around. He proposes a method that works much like the way I write nonfiction. Following his advice, I feel like I can create and enjoy creating novels now. That is a wonderful gift, and I appreciate the insights very much. I also wondered how a novelist goes from aspiring to full-time writer. The detailed descriptions here gave me many "ah-ha" experiences. Mr. King's horrible accident made me curious about how his recovery was going. I was fascinated by the long postscript that describes how the "writing" part of the memoir was written during his painful rehabilitation and mending.

This book should be read by everyone who loves fiction writing, whether as a reader or a writer. If salty language bothers you, that will be a drawback. I deliberately listened to the unabridged audiocassette so that I could hear the nuances of meaning from his voice and timing. I'm glad I did.

Mr. King's great strength is that he tells it like it is, and does so as simply as possible.

His description of letting a novel tell itself through the characters, starting from a fascinating situation, struck me as an enormous insight. In nonfiction, the equivalent is to start with a painful problem that almost everyone has. Then tell stories that take the reader inside the solution. Be honest and genuine in how you do it. I suddenly realized that nonfiction writers have an advantage because we can test our stories with those who lived them. The fiction writers have to use their own mental ear and those of readers to do the same thing.

After you finish reading this book, you definitely should try out his suggestion to write a thousand words a day. I know it sounds like a lot, but your speed and facility will rapidly increase. And it really does feel like being more alive!

Tell the truth!


Will the real Stephen King stand up?   June 16, 2004
 4 out of 4 found this review helpful

This was money well spent. This book is more than the title implies. First it is a selected biography of Stephen King. I enjoyed the poison ivy episode. This is not a deviation but an explanation of why he writes the way he does and the background that he draws on. Secondly this is a "how to write like Stephen King" book it reflects his likes and dislikes. I agree with most of them. I suppose that that is why I like his novels.

However I can only guess that he must spend a lot of time around people that cuss. It is not like he is not aware of it. I feel that he is somewhat proud of the fact that he cusses a lot. Luckily he said it is not necessity to be excessive.

I share his dislike for flashbacks. And he also expresses several dislikes for other stilting crutches, including excessive description of Back-story.
An added bonus is his description of the van accident that a certain comedian commented about saying that Stephen lost his Tommyknockers. Stephen forgot to mention that he bought the van that hit him for destruction purposes. Talk about revenge.

Over all after reading this I was compelled to try my hand at writing.


Any beginners serious about writting should have this Audio   March 14, 2001
 3 out of 3 found this review helpful

This is one of the most helpful pieces of information I was able to find. After attending short courses, reading self-help books and dummies guides, I finnallly found what I was looking for. A no nonsence guide to the craft.