A Sweet Obscurity

It's not exactly a complete romantics book, but goes into a lot of detail about relationships etc. and I suppose would be considered more of a 'women's book'. Nevertheless it's a great read and I throughly recommend this book to anyone.


" A verse of softer pleasures and a sweet obscurity"   July 12, 2004
 12 out of 12 found this review helpful

When reading Patrick Gale, one always gets a warm, calm, fuzzy feeling. His novels conjure visions of fireside chats on cold winter evenings, and the affectionate bliss of domestic life. A Sweet Obscurity, although not his best work, certainly invokes such images, while also presenting a rather dark, but hopeful look at modern, untypical relationships and families. Like its predecessor, Rough Music, landscape plays a distinct role; Gale's sophisticated Londoners are transported to Cornwall where they discover both an alternative rhythm of life and a healthier way of living.

Eliza is a musicologist who has lost her way. She's wrecked her marriage with a foolish liaison, and is now living in some squalor in a council flat, while taking care of her young niece, Dido. Since her mother's death in a climbing accident, Dido has lived with Eliza, but Eliza is haunted by fears that her sister's medical problems might have been passed on to the child. Eliza "faces the bossy arrival of daylight with a kind of horror," and she sees with a stark clarity how cruel a sentence she and Dido are living under. She dearly loves her niece, but she is lonely, and short of money. Painfully honest, she acknowledges how much she misses her time as an Oxford student researching Elizabethan madrigals.

Giles is her estranged husband, an operatic counter tenor. He still loves Dido and claims, when it suits him, a paternal role in the child's life. A professional singer, he is haunted by his mother's sexual abuse and funnels his insecurities into his singing. He has a kind of cozy, simplistic domestic arrangement with his girlfriend Julia, but in all honesty, he still loves Eliza. The madrigal songs serve to cast their spell on Giles - "a kind of decorously erotic melancholy, ironing smooth his troublesome thoughts." Eliza and Dido were Giles' pets: He housed them and fed them and was solicitous of their welfare, but this darkens when we glimpse Giles' self-centered, and inappropriately sensual relationship with Dido.

Julia is Giles girlfriend, assistant to his conniving lesbian agent, Selina Bryant. Julia, discovering that she is pregnant, is "torn between the urge to love, and the cruel impulse to enlighten." She has grown used to the image of herself as practical and unflinching, but is forced to re-evaluate her life when she realizes that Giles doesn't love her. Pearce, perhaps the most likeable character, is a rugged, middle-aged Cornish beef farmer. After his father's death, he has reluctantly taken over the family farm, spends lonely evenings calling up pornographic websites, and worries that the days of small family farms are numbered. Pearce's eventual meeting with Dido and Eliza, when they holiday in Cornwall, shape the last half of the story. Pearce has learned "not to strive." He has an inner life, but he is not forever troubled to change or improve his outer one."

All the characters have an instinct to cling to security rather than daring to entertain alternatives. Quieter love amid "country goodness" and a "sweet obscurity" stand for what all five characters are pursuing - a place of safety in an insecure and vainglorious world. Classical music also features prominently, such as a hilarious account of a modern staging of Britten's Midsummer Night's Dream, and Eliza's chance encounter with an amateur madrigal group in Cornwall. Sweet Obscurity is a little over-long - clocking in at almost five hundred pages - and the narrative tends to meander towards the end. Although not as taught and tightly structured as Rough Music, the novel still does a fine job of evoking the ties that bind people, and transient, often indefinable states that reveal the truth about people's deepest desires and discontents. Mike Leonard July 04.


Back To Form   January 12, 2004
 2 out of 2 found this review helpful

Patrick Gale has long been my favourite modern day English author. With Cornwall back as his favourite setting and dealing with generational issues as only he can, Sweet Obscurity sees Patrick Gale return to a form last reached with The Cat Sanctuary. Whilst comparisons with Joanna Trollope can be drawn in terms of Cornwall vs Cotswolds settings, the complexities of emotional relationships in an ever changing world and the emphasis on how women/girls deal with them; Gale's sparser style and wry humour adds a dimension few authors of this genre achieve. I doubt if there is a male writer who can capture the thoughts and feelings of women and children with Gale's accuracy and empathy. Neither is Gale afraid to tackle the more difficult aspects of life, as seen in this book with Cherubism and adult/child sexual "relationships" influencing strongly the characters and plot. It is Gale's intimate but spare style which captures the imagination, developing character and plot simultaneously without losing the reader's attention. Never descending into overstatement or exaggeration, Gale keeps a tight rein on the strengths and weaknesses of his characters and ensures the storyline progresses in parallel. Back to his best, I can now look forward to Gale's next book and look back on a most rewarding read which gently reminds us of the shortcomings which surround us all without ever losing hope or faith in our ultimate capability in dealing with them.