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enlarge | Author: John Connolly Publisher: Hodder Paperbacks Category: Book
List Price: £6.99 Buy Used: £0.01 You Save: £6.98 (100%)
New (42) Used (59) from £0.01
Rating: 17 reviews Sales Rank: 3033
Media: Paperback Pages: 576 Shipping Weight (lbs): 0.7 Dimensions (in): 6.8 x 4.3 x 1.5
ISBN: 0340920513 EAN: 9780340920510 ASIN: 0340920513
Publication Date: January 10, 2008 Availability: Usually dispatched within 1-2 business days Shipping: International shipping available Condition: SUPER FAST SHIPPING, DISPATCHED SAME DAY FROM UK WAREHOUSE. NO NEED TO WAIT FOR BOOKS FROM USA. GREAT BOOK IN GOOD OR BETTER CONDITION. MORE GREAT BARGAINS IN OUR ZSHOP. amazon.co.uk/shops/awesome_books_001
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| Customer Reviews:
BEST YET ?? October 21, 2007 2 out of 2 found this review helpful
Superb writing once again from Connely . I agree with other reviewers that this was less violent than some of his other books . It was subtly deep , and certainly kept you thinking . I got the feeling that Parker was more vunerable in this book than in the others . Some excellent humour in there as well , with Angel and Louis contributing . Is it the best ? Well , for me , Connely has yet to produce a bad book , and this one is up there with my fave ' The book of lost things '. Looking forward to the next instalment !!!!!
Chilling and Emotive September 22, 2007 3 out of 3 found this review helpful
"The Unquiet" is both chilling and emotive conveyed through Connolly's fantastic writing ability. I did find that the plot moved at a slower pace but this allows you to learn more about Charlie Parker, really bringing his character alive.
The plot is a dark one involving child abuse that occurred in the past. You feel yourself urging the villians to be found and dealt with - and feeling disappointed when it seems that one may get away with it.
Connolly does not go into detail with what terrible acts are committed on the children and in fact much is left unsaid. He doesn't need to because he conveys the message through piercing and perceptive writing.
Has Bird lost his mojo? August 14, 2007 8 out of 9 found this review helpful
I can't convince myself that I enjoyed THE UNQUIET as much as one or two of Connolly's earlier works, my personal favourite remaining THE WHITE ROAD. I have to admit though that he seems to have addressed one of my most consistent complaints over the past few years, that being the excessive and often gratuitous levels of violence displayed by all characters past, be they on the right or wrong side of the law. In this latest episode in the life of Charlie `Bird' Parker, you will find yourself deep into the second half before so much as a bullet is fired, and I certainly welcomed this. This relatively mellow tone doesn't last forever of course, because normal service is eventually resumed even if the triggers of Parker and his associates Louis and Angel remain in place from start to finish. This might suggest that there are many lighter moments that give Louis an opportunity to display his super-cool wit, but this isn't the case, as there is little in the way of humour at any time and certainly less than in many of the preceding Parker tales.
The underlying theme of this tale is the sexual abuse of children, and somewhat inevitably Connolly, in his own style, makes it clear that in the pecking order of evil, paedophiles rank below (i.e. worse than) the likes of violent criminals, contract killers and characters who might represent the Devil himself. Few would disagree, I guess, but apart from that classification the reader gains little in the way of insight into what makes such monsters do what they do, indeed in the closing pages Parker raises numerous questions but neither he nor the writer offers much in the way of answers. Furthermore, as all the despicable acts have taken place in years past, the reader is not really caught up in what might otherwise have been the emotional trauma that, in reality, parents and children suffer while it is taking place. Although there were many emotionally troubling moments throughout this tale, they sometimes related more to the supernatural experiences that Parker continues to endure and to the introspective nature of his life and character that the reader gets a closer look at here than in novels past. The bottom line is that while it is at all times interesting it never really raises the heartbeat in quite the same way as Connolly's earlier works succeeded in doing. I couldn't really call it a thriller, at least not my own interpretation of what a real thriller is supposed to do. All I can say about the end was that it was `quiet' and mostly devoid of violence; an anti-climax in a sense. That's not to say that it was an unsatisfying end, but for anyone familiar with the other five Parker escapades, it's safe to say that it's really rather different from any of them. Just faintly disappointing, then, but expectations were sky-high and it's possible that the author's recent excursions into non-Parker territory have taken the edge of his writing a little, even if the finished product is his most authentic and well-rounded to date. I liked it a lot, it's an intelligent piece of writing throughout but it didn't thrill me in the way I know Connolly can.
Always dark; this one's darker August 1, 2007 5 out of 6 found this review helpful
Charlie Parker always seems to find the cases which turn out to haunt him even more - or is it that the cases find him? The Collector is back, his friends in low places, Louis and Angel are back and so are Charlie's daemons. Yet again John Connolly brings darkness and tragedy to the page. Hunting the killer of an abused young girl, CP almost bites off more than he can handle in the harrowing search for the men who systematically found their prey and carried out their gross acts of horror. The book moves along with pace and, although Parker never fires a shot in anger, others do and the body count mounts. New readers may not appreciate how The Collector fits into Charlie's life but this shouldn't spoil the storyline. And perhaps, Charlie does, at last, discover and deal with his own problems. Maybe we'll find out for sure in the next book.
Has Bird lost his mojo? July 10, 2007 7 out of 10 found this review helpful
I can't convince myself that I enjoyed THE UNQUIET as much as one or two of Connolly's earlier works, my personal favourite remaining THE WHITE ROAD. I have to admit though that he seems to have addressed one of my most consistent complaints over the past few years, that being the excessive and often gratuitous levels of violence displayed by all characters past, be they on the right or wrong side of the law. In this latest episode in the life of Charlie 'Bird' Parker, you will find yourself deep into the second half before so much as a bullet is fired, and I certainly welcomed this. This relatively mellow tone doesn't last forever of course, because normal service is eventually resumed even if the triggers of Parker and his associates Louis and Angel remain in place from start to finish. This might suggest that there are many lighter moments that give Louis an opportunity to display his super-cool wit, but this isn't the case, as there is little in the way of humour at any time and certainly less than in many of the preceding Parker tales.
The underlying theme of this tale is the sexual abuse of children, and somewhat inevitably Connolly, in his own style, makes it clear that in the pecking order of evil, paedophiles rank below (i.e. worse than) the likes of violent criminals, contract killers and characters who might represent the Devil himself. Few would disagree, I guess, but apart from that classification the reader gains little in the way of insight into what makes such monsters do what they do, indeed in the closing pages Parker raises numerous questions but neither he nor the writer offers much in the way of answers. Furthermore, as all the despicable acts have taken place in years past, the reader is not really caught up in what might otherwise have been the emotional trauma that, in reality, parents and children suffer while it is taking place. Although there were many emotionally troubling moments throughout this tale, they sometimes related more to the supernatural experiences that Parker continues to endure and to the introspective nature of his life and character that the reader gets a closer look at here than in novels past. The bottom line is that while it is at all times interesting it never really raises the heartbeat in quite the same way as Connolly's earlier works succeeded in doing. I couldn't really call it a thriller, at least not my own interpretation of what a real thriller is supposed to do. All I can say about the end was that it was 'quiet' and mostly devoid of violence; an anti-climax in a sense. That's not to say that it was an unsatisfying end, but for anyone familiar with the other five Parker escapades, it's safe to say that it's really rather different from any of them. Just faintly disappointing, then, but expectations were sky-high and it's possible that the author's recent excursions into non-Parker territory have taken the edge of his writing a little, even if the finished product is his most authentic and well-rounded to date. I liked it a lot, it's an intelligent piece of writing throughout but it didn't thrill me in the way I know Connolly can.
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